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Daim​ó​n I

by Eduardo Astudillo

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Primero de una serie de publicaciones de improvisaciones de corta duración en las que utilizo distintas técnicas de fricción y golpes en materiales elásticos. Las vibraciones son transmitidas a la membrana de una timbaleta utilizada como resonador por medio de puentes de madera de distintas formas hechos a mano para estos fines, ademas de otros objetos con propiedades tímbricas interesantes.

Los sonidos han sido generados de manera completamente acústica sin uso de ningún tipo de efecto y "capturados" con una grabadora digital, para posteriormente ser masterizados y sin overdubbing.

El titulo hace alusión al sonido como manifestación perceptible pero no permanente o como una voz interior con influencia en los acontecimientos. El uso de la palabra en griego antiguo me parece más idóneo ya que esta no contiene la atribución maléfica que se le otorgó en la era cristiana.

In English:

First of a serie, of short length improvisations using different friction and striking techniques on elastic materials. The vibrations are transmitted to the membrane of a timbale used as a resonator and through wooden bridges with different shapes made by hand for these purposes, in addition to other objects with interesting timbre properties.

The sounds have been generated completely acoustically without the use of any type of effect and "captured" with a digital recorder, to later be mastered. No overdubs added.

The title alludes to sound as a perceptible but not permanent manifestation or as an inner voice that influences events. The use of the word in ancient Greek seems to me more appropriate since it does not contain the malefic attribution that was granted to it in the Christian era.

credits

released November 5, 2022

Motors, springs and timbale.

All music, mastering and cover design by Eduardo Astudillo.

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all rights reserved

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Eduardo Astudillo Santiago, Chile

Musician-improviser

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